Han Huang (723–787), a chancellor of the Tang dynasty (618–907), painted his Five Oxen in different shapes from right to left. They stand in line and appear happy or depressed. We can treat each image as an independent painting. However, the oxen form a unified whole. Han Huang carefully observed the details. For example, horns, eyes, and expressions show different features of the oxen. They are all interesting characters, just like the five brothers. But which ox would you choose?
As for Han Huang, we do not know which ox he would choose and why he painted Five Oxen. In the Tang dynasty, horse painting was in vogue and enjoyed imperial patronage. By contrast, ox painting was traditionally considered an unsuitable theme for a gentleman’s study.
Did Han Huang compare himself to the ox with a rein? When he placed the ox with the bush in the same painting, he could imply that he preferred a retreat and a leisurely life on the mountain. However, judging by his career and high position, Han Huang probably did not want to go into seclusion. Therefore, by painting the ox with a rein, he could show his loyalty to the emperor.